Sugar, butter, flour: Waitress review

Usually when I write reviews, it’s about books. After reflecting on my manifesto, I opted to try my hand at theater review. I had the pleasure of seeing The Waitress by Sara Bareilles starring Stephanie Torns as Jenna and Jason Mraz as Dr. Pomatter. I like to be surprised by shows, so I steered clear… Continue reading Sugar, butter, flour: Waitress review

“Home,” Scene Three

LISA, MARIE CHANTAL, and EMMANUEL walk onstage. There is a table with three chairs. They sit. WAITER approaches. WAITER: Welcome to Cannabera. What would you like? EMMANUEL: We would all like chipati. WAITER: Would you like drinks? LISA: I’ll have icyayi, please. EMMANUEL: Tonic. MARIE CHANTAL: Fanta. WAITER: What kind of Fanta? MARIE CHANTAL: Citron.… Continue reading “Home,” Scene Three

“Home,” Scene Two

The library is a house with a classroom and a small nook of textbooks and notebooks. The classroom has several desks, a chalkboard, and a map. LISA: Welcome to Intermediate English Class. Good morning. EMMANUEL and MARIE CHANTAL: Good morning! LISA: How are you? EMMANUEL and MARIE CHANTAL: We are fine. And you? LISA: I… Continue reading “Home,” Scene Two

“Home,” Scene One

An African market: colorful kitenge, people bartering, and lots of noise, animals, and pandemonium. Two Americans, LISA and KAYLEE, are walking through the stalls. MERCHANT: Sister, welcome to Rwanda! I will make you a kitenge dress! Only four thousand francs! LISA: No, thank you. MERCHANT: Cheaper than anywhere else in the market! LISA: Maybe we’ll… Continue reading “Home,” Scene One

Death and the King’s Horseman

The play Death and the King’s Horseman by Wole Soyinka examines colonialism by depicting the clashing of cultures and exposing the dangers of ethnocentrism. The story takes place in Nigeria, following several main characters: an Englishman named Pilkings and his wife, Jane, and Elesin Oba. As the late King’s horseman, Elesin Oba must commit suicide… Continue reading Death and the King’s Horseman

“Were I The Moor” Part 1

Iago as a Manifestation of Othello’s Ego Scholars of Othello too often categorize the villain, Iago, as a mere sociopath. While this diagnosis is psychologically valid, it confines Iago to a trope that limits the emblematic potential of his character. Many attempt to get inside Othello’s head in order to see the loyal Iago he… Continue reading “Were I The Moor” Part 1